With Robbie Blunt's exquisite guitar, Plant's extraordinarily beautiful and effective vocal, and gorgeous heartfelt lyric, "Big Log" is one of the finest singles of the early 80s. Even though it was a sizable hit, it's been overlooked in some ways. Plant's solo work is overshadowed by the titanic Led Zeppelin legacy. But there is something about this song... the stripped down arrangement, the melancholy, the dreaminess.. It always appealed to me greatly when I was young (I was 11 when it came out, and I wore out the 45), and it still sounds great to this day. From the "Principle of Moments" album, which has its moments - most notably 2nd single "In the Mood" and the opening track, and #1 on the Rock Radio airplay Charts "Other Arms"... but the rest of the material is so-so. But "Big Log" is a timeless classic. The vocal performance alone requires that it be considered alongside the very best recordings Robert Plant has been involved with, and that includes Zeppelin.
My love is in league with the freeway
Its passion will ride, as the cities fly by
And the tail-lights dissolve, in the coming of night
And the questions in thousands take flight
My love is a-miles in the waiting
The eyes that just stare, and the glance at the clock
And the secret that burns, and the pain that grows dark
And it's you once again
Leading me on - leading me down the road
Driving beyond - driving me down the road
My love is exceedingly vivid
Red-eyed and fevered with the hum of the miles
Distance and longing, my thoughts do provide
Should I rest for a while at the side
Your love is cradled in knowing
Eyes in the mirror, still expecting they'll come
Sensing too well when the journey is done
There is no turning back - no
There is no turning back - on the run
My love is in league with the freeway
Oh the freeway, and the coming of night-time
My love is in league with the freeway
Monday, May 6, 2013
Tuesday, February 12, 2013
David Bowie: "My Death"
Bowie covering Jacques Brel via Scott Walker. "My Death" was a song that he performed regularly during the 'Ziggy Stardust' era. He dusts it off here for the GQ Man of the Year awards in 1997. Featuring a sublime piano solo by the incredible Mike Garson.
Sunday, January 20, 2013
David Bowie: "Tin Machine II"
It's very difficult to pick a "most underrated" David Bowie album because most of them are generally lauded by critics. You might say "Lodger" because it doesn't have the standing of "Scary Monsters" or "Low" - but it is still very well regarded. "Heathen" might quality. It did receive mostly positive reviews at the time of its release, but perhaps in retrospect it's a stronger and even more important album than was apparent at the time. My esteem for it has only grown in the decade-plus since it's release.
But really if you think about an album that is still widely dismissed that deserves a far better fate, it's "Tin Machine II". Fans and critics were somewhat bemused by Bowie's abandonment of the bloated stadium-rock of the "Never Let Me Down" period for a stripped-down, no frills "i'm one of the band" rock approach on the first Tin Machine album. Fans gave it a chance and there was a decent promotional push, but none of the material was particularly commercial. It wasn't a bad album, and it was nice to see a fresh direction from Bowie, but it wasn't a knockout.
Given the relative failure of "Tin Machine", it's perhaps surprising a sequel ever saw the light of day. "Tin Machine II" is far better. Partly due to record company issues, the album really never had a chance. It was scoffed at and ignored by the press, and folks - many of whom probably never really bothered to listen to it - named it a disaster. It was largely ignored by the public and is current out of print and unavailable for purchase.
A true shame. Minus the 2 tracks sung by Hunt Sales, "Stateside" and "Sorry", this is a classic Bowie album. If it had been released under the name David Bowie and given another title, maybe it would have fared better. It opens with a killer trio of originals, all of which were singles: "Baby Universal", "One Shot" and the wonderfully off-kilter "You Belong in Rock n' Roll". Then a white hot cover of Roxy Music's "If There is Something". The rest of the album is mostly very strong as well, with Reeves Gabrels' guitar work interesting throughout. Some should-be Bowie classics here - like why isn't "Shopping for Girls" regarded alongside his best work? It's tremendous.
Give it another listen with a fresh ear. It stands up remarkably well 22 years later. Hopefully Bowie's return to the music scene will lead to a fresh look at his back catalog, and this criminally underrated gem will get another chance.
But really if you think about an album that is still widely dismissed that deserves a far better fate, it's "Tin Machine II". Fans and critics were somewhat bemused by Bowie's abandonment of the bloated stadium-rock of the "Never Let Me Down" period for a stripped-down, no frills "i'm one of the band" rock approach on the first Tin Machine album. Fans gave it a chance and there was a decent promotional push, but none of the material was particularly commercial. It wasn't a bad album, and it was nice to see a fresh direction from Bowie, but it wasn't a knockout.
Given the relative failure of "Tin Machine", it's perhaps surprising a sequel ever saw the light of day. "Tin Machine II" is far better. Partly due to record company issues, the album really never had a chance. It was scoffed at and ignored by the press, and folks - many of whom probably never really bothered to listen to it - named it a disaster. It was largely ignored by the public and is current out of print and unavailable for purchase.
A true shame. Minus the 2 tracks sung by Hunt Sales, "Stateside" and "Sorry", this is a classic Bowie album. If it had been released under the name David Bowie and given another title, maybe it would have fared better. It opens with a killer trio of originals, all of which were singles: "Baby Universal", "One Shot" and the wonderfully off-kilter "You Belong in Rock n' Roll". Then a white hot cover of Roxy Music's "If There is Something". The rest of the album is mostly very strong as well, with Reeves Gabrels' guitar work interesting throughout. Some should-be Bowie classics here - like why isn't "Shopping for Girls" regarded alongside his best work? It's tremendous.
Give it another listen with a fresh ear. It stands up remarkably well 22 years later. Hopefully Bowie's return to the music scene will lead to a fresh look at his back catalog, and this criminally underrated gem will get another chance.
Friday, January 11, 2013
David Bowie: "Where Are We Now?"
I have been listening to Bowie non-stop this week. I've actually been in a Bowie mood for a while, so the timing was perfect for the most stunning music news in recent memory: with zero advance notice or warning or hype, David Bowie ends a near 10-year recording silence with a new single, "Where Are We Now?", and an album called "The Next Day" due in March. The news shellshocked the music industry and I couldn't believe what I was reading when I first saw it.
But... is it any good?
"Where Are We Now?" is just sublime. Unbelievably powerful. The perfect song for Bowie's return. He mournfully, wistfully ruminates on his past, walking the dead through his old haunts of Berlin. But the song turns, becomes a defiant statement of "hey, we are still here!" - with a desperately, brilliant sung vocal that conveys the message perfectly. Yeah, we can sit and wistfully remember our past. But we are still here, we are still living, and we still have a future. At the end of the video they slip away from their pasts and walk out of the room, into their everyday, real lives.
The slow buildup and swell of the music, and Bowie's vocal performance... nostalgic and somewhat bittersweet and then turning tense and passionate ... "as long as there's fire... as long as there's you... as long and there's me.." The song has literally left me in tears.
The man, even at this stage in his career, continues to surprise, amaze, astonish, delight. Thank you Mr. Bowie. You didn't have to come out of your domestic bliss/retirement, but I'm so happy that you did. It couldn't have been a better-crafted return.
Monday, December 31, 2012
Best albums and Tracks of 2012
Tracks:
1. Frank Ocean – “Bad
Religion”
2. Bob Dylan – “Scarlet Town”
3. The Fixx – “Anyone Else”
4. Pet Shop Boys – “Leaving”
5. Gaslight Anthem – “45”
6. The Presets – “Ghosts”
7. Kylie Minogue – “Timebomb”
8. Marina & The Diamonds – “How To Be a Heartbreaker”
9. Bruno Mars – “Locked Out of Heaven”
10. Metric – “Breathing Underwater”
11. Santigold – “Disparate Youth”
12. Hot Chip – “Flutes”
13. Neil Young & Crazy Horse – “Walk Like a Giant”
14. Yeasayer – “Longevity”
15. Of Monsters and Men – “Little Talks”
16. Die Antwoord – “U Make a Ninja Wanna Fuck”
17. Gossip – “Move in the Right Direction”
18. Ne-Yo – “Let Me Love You (Until You Learn to Love Yourself”)
19. Scissor Sisters – “Somewhere”
20. Madonna – “Gang Bang”
21. Calvin Harris feat. Example – “We’ll Be Coming Back”
22. George Michael – “White Light”
23. Sleigh Bells – “Comeback Kid”
24. The Rolling Stones – “Doom and Gloom”
25. Mumford & Sons – “Broken Crown”
26. Green Day – “Kill the DJ”
27. M.I.A. feat. Missy Elliott – “Bad Girls (N.A.R.S. Mix)”
28. MNDR – “#1 in Heaven”
29. Savages – “Husbands”
30. Kanye West, Jay-Z & Big Sean – “Clique”
31. Passion Pit – “Take a Walk”
32. Japandroids – “The House that Heaven Built”
33. Bruce Springsteen – “We Take Care of Our Own”
34. Saint Etienne – “I’ve Got Your Music”
35. The Raveonettes – “Into the Night”
36. School of Seven Bells – “Scavenger”
37. Sharon Van Etten – “Serpents”
38. The Pierces – “We Are Stars”
39. Smashing Pumpkins – “Violet Rays”
40. Maroon 5 – “Payphone”
2. Bob Dylan – “Scarlet Town”
3. The Fixx – “Anyone Else”
4. Pet Shop Boys – “Leaving”
5. Gaslight Anthem – “45”
6. The Presets – “Ghosts”
7. Kylie Minogue – “Timebomb”
8. Marina & The Diamonds – “How To Be a Heartbreaker”
9. Bruno Mars – “Locked Out of Heaven”
10. Metric – “Breathing Underwater”
11. Santigold – “Disparate Youth”
12. Hot Chip – “Flutes”
13. Neil Young & Crazy Horse – “Walk Like a Giant”
14. Yeasayer – “Longevity”
15. Of Monsters and Men – “Little Talks”
16. Die Antwoord – “U Make a Ninja Wanna Fuck”
17. Gossip – “Move in the Right Direction”
18. Ne-Yo – “Let Me Love You (Until You Learn to Love Yourself”)
19. Scissor Sisters – “Somewhere”
20. Madonna – “Gang Bang”
21. Calvin Harris feat. Example – “We’ll Be Coming Back”
22. George Michael – “White Light”
23. Sleigh Bells – “Comeback Kid”
24. The Rolling Stones – “Doom and Gloom”
25. Mumford & Sons – “Broken Crown”
26. Green Day – “Kill the DJ”
27. M.I.A. feat. Missy Elliott – “Bad Girls (N.A.R.S. Mix)”
28. MNDR – “#1 in Heaven”
29. Savages – “Husbands”
30. Kanye West, Jay-Z & Big Sean – “Clique”
31. Passion Pit – “Take a Walk”
32. Japandroids – “The House that Heaven Built”
33. Bruce Springsteen – “We Take Care of Our Own”
34. Saint Etienne – “I’ve Got Your Music”
35. The Raveonettes – “Into the Night”
36. School of Seven Bells – “Scavenger”
37. Sharon Van Etten – “Serpents”
38. The Pierces – “We Are Stars”
39. Smashing Pumpkins – “Violet Rays”
40. Maroon 5 – “Payphone”
1. Bob Dylan – Tempest
2. Frank Ocean – Channel Orange
3. The Gaslight Anthem – Handwritten
4. Beach House – Bloom
5. Green Day – Uno!
6. The Presets – Pacifica
7. Gossip – A Joyful Noise
8. Hot Chip – In Our Heads
9. Marina and the Diamonds – Electric Heart
10. Metric – Synthetica
11. The Fixx – Beautiful Friction
12. Of Monsters and Men – My Head is an Animal
13. Pet Shop Boys – Elysium
14. Dave Stewart – The Ringmaster General
15. Scissor Sisters – Magic Hour
16. Sleigh Bells – Reign of Terror
17. Yeasayer – Fragrant World
18. Neil Young & Crazy Horse – Psychedelic Pill
19. Smashing Pumpkins - Oceania
20. Santigold – Master of my Make-Believe
2. Frank Ocean – Channel Orange
3. The Gaslight Anthem – Handwritten
4. Beach House – Bloom
5. Green Day – Uno!
6. The Presets – Pacifica
7. Gossip – A Joyful Noise
8. Hot Chip – In Our Heads
9. Marina and the Diamonds – Electric Heart
10. Metric – Synthetica
11. The Fixx – Beautiful Friction
12. Of Monsters and Men – My Head is an Animal
13. Pet Shop Boys – Elysium
14. Dave Stewart – The Ringmaster General
15. Scissor Sisters – Magic Hour
16. Sleigh Bells – Reign of Terror
17. Yeasayer – Fragrant World
18. Neil Young & Crazy Horse – Psychedelic Pill
19. Smashing Pumpkins - Oceania
20. Santigold – Master of my Make-Believe
Tuesday, June 12, 2012
The Cure dream setlist
The Cure is currently playing festivals in Europe and the set-lists have been pretty terrific. A deft mix of hits, album tracks, fan favorites, and a few surprises thrown in. And, of course - - long.
So if I were to design a set for their current tour, or go to a show, this is what I'd love to see:
(and even if it's never a set, it makes a killer Cure playlist)
So if I were to design a set for their current tour, or go to a show, this is what I'd love to see:
(and even if it's never a set, it makes a killer Cure playlist)
Thursday, May 24, 2012
Paul McCartney: "Ram" reissue LP
I already talked about Paul McCartney's "Ram" album here, so I won't go back over it again - but I just received the new reissue 2-LP vinyl via Amazon.com, and it sounds amazing. Listening to it now and thoroughly enjoying it. The album isn't the most profound in the world, but it doesn't need to be. Looking forward to checking out the bonus material - and I love the fact that they included the 2nd disc with the bonus material in the vinyl reissue.
I'm a sucker for these reissues. They are expensive, but worth it.
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