Here is, in heavily edited format, My list of the Top 25 Artists Who Belong in the Rock and Roll Hall of Fame (link). The original version was significantly longer with more details on each artist.
Published in Metro Weekly on April 18, 2015. I'm going to be going back through in the days ahead and publishing the links to my key stories from the last couple years that I have been writing at Metro Weekly.
Wednesday, April 22, 2015
The Zombies - "The Best Of..."
I found this compilation by The Zombies at Record and Tape Exchange today, and I picked it up because it's in perfect condition. After researching on Discogs, it appears to be a 1982 Canadian-only compilation on London Records. It has a very nice track-listing.
The American Dream - self-titled
Excellent, rather obscure 1970 self-titled LP by The American Dream. Philadelphia area band, sorta psychedelic tinged guitar-rock but very melodic, with nice harmonies. Produced by Todd Rundgren. A real hidden gem. The only album they ever put out.
Bill Withers - "Still Bill"
Found a good condition used LP copy of Bill Withers' 1972 album "Still Bill." I've been looking for this one for a while, so I'm pretty pleased. The sound quality really impresses me - this is one well-produced album. It sounds fresh and alive. A great pressing. And Withers' songs and the performances are outstanding. "Who is He (and what is he to you)?" has that slow, funky bass groove... it's just killer. And of course "Use Me" and "Lean on Me" are classic singles that have been covered many times.
"Still Bill" is a hugely influential album that deserves every accolade.
"Still Bill" is a hugely influential album that deserves every accolade.
Wednesday, February 11, 2015
Tuesday, February 10, 2015
Thursday, May 9, 2013
David Bowie: "Valentine's Day"
Bowie's first album in a decade, "The Next Day," is a remarkably dark collection. It's splayed with blood at times, on songs like the title track, the haunting"How Does the Grass Grow", and "Valentine's Day".
"Valentine's Day" is particularly chilling given the recent events in Newtown, Connecticut. Although there are obvious differences in the circumstances of his rampage, Adam Lanza could have been the boy the narrator is hearing fantasize about death and destruction in "Valentine's Day"... "It's in his tiny face.. it's in his scrawny hand... it's in his icy heart...."
The teachers and the football star
It's in his tiny face
It's in his scrawny hand
Valentine told me so
He's got something to say
It's Valentine's Day
The rhythm of the crowd
Teddy and Judy down
Valentine sees it all
He's got something to say
It's Valentine's Day
Valentine told me how he'd feel
If all the world were under his heels
Or stumbling through the mall
It's in his tiny face
It's in his scrawny hand
Valentine knows it all
He's got something to say
It's Valentine's Day
Valentine, Valentine
Valentine, Valentine
It's in his scrawny hand
It's in his icy heart
It's happening today
Valentine, Valentine
It's in his scrawny hand
It's in his icy heart
It's happening today
Valentine, Valentine
"Valentine's Day" is particularly chilling given the recent events in Newtown, Connecticut. Although there are obvious differences in the circumstances of his rampage, Adam Lanza could have been the boy the narrator is hearing fantasize about death and destruction in "Valentine's Day"... "It's in his tiny face.. it's in his scrawny hand... it's in his icy heart...."
It's a brilliant song. It begins like a moderate pop-rock song with an opening couplet that might fit into a typical love song. Then it turns abruptly dark, and we realize we're not talking about puppy love here. Valentine is a character fantasizing about shooting up his classmates. It's a harrowing song, especially at the ambiguous ending ("It's happening today!! Valentine, Valentine!!") We as the listener cannot know if Valentine is merely fantasizing to someone, or if this portends the start of violence, or perhaps the narrator - to whom Valentine is presumably confiding his plans - will step in and stop the situation. I can picture a video where Valentine is walking towards school as if on a normal day, seeing the classmates around him, the camera cuts to Valentine's face, and then fade to black. We don't know what happens. Listen to the harrowing vocals in those last few lines, the drama and almost panic that Bowie conjures in those lines.
Also notable in the song is the almost retro, old-school rock feel. The sing-song "sha-la-la-la" backing vocals - the incongruity of innocence and beauty and the ice-cold alienation of a sociopath. And the further realization that you never know who Valentine might be. For every act of violence that comes to fruition, how many are stewing in someone's mind?
A stunning moment on an album that's loaded with them.
Valentine told me who's to go
Feelings he's treasured most of allThe teachers and the football star
It's in his tiny face
It's in his scrawny hand
Valentine told me so
He's got something to say
It's Valentine's Day
The rhythm of the crowd
Teddy and Judy down
Valentine sees it all
He's got something to say
It's Valentine's Day
Valentine told me how he'd feel
If all the world were under his heels
Or stumbling through the mall
It's in his tiny face
It's in his scrawny hand
Valentine knows it all
He's got something to say
It's Valentine's Day
Valentine, Valentine
Valentine, Valentine
It's in his scrawny hand
It's in his icy heart
It's happening today
Valentine, Valentine
It's in his scrawny hand
It's in his icy heart
It's happening today
Valentine, Valentine
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